4. **What is the significance of masks in the ritualistic practices of tribal communities in Papua New Guinea, and how do they reflect the social structure of these communities?
5. **How has the preservation and repatriation of tribal and indigenous art been addressed in recent years, particularly concerning items held in Western museums?
These questions cover various aspects of Asian and Tribal Art, including techniques, cultural significance, influences, and modern-day considerations.?
What are the common themes and motifs found in the masks and sculptures of various tribal cultures, and how do they serve religious or cultural purposes within those communities?
How does the art of different Asian cultures reflect their societal values and historical events, particularly through mediums like painting, sculpture, and textile arts?
How do preservation efforts for endangered tribal art forms balance the needs of cultural heritage conservation with respecting the traditions and values of indigenous communities?
